Eddie Romero, who initially used the screen name ‘Enrique Moreno’ early in his directing career, was born July 7 1924 in Dumaguete City. He is the son of Pilar Cinco, a school teacher, and José E. Romero, a former congressman, Secretary of Education, and Philippine Ambassador to London. He was married to Carolina Gonzales, with whom he had three children, including film director Joey Romero; actress Chanda Romero is also a niece. He studied at Dumaguete Elementary School, Ateneo de Manila, University of the Philippines (UP) High School, and Siliman University High School in Dumaguete City. He earned his bachelor’s degree in UP, completed the associate in arts (pre-law) program at Siliman University, and was conferred the honorary degree, Doctor of Humane Letters, by the Foundation University in Dumaguete City. A leader in the industry, Romero has served as deputy director of the Film Academy of the Philippines (FAP), and Chair of the Sub-Committee on the Arts of the National Commission on Culture and the Arts (NCCA). Romero’s major influences were Gerardo de Leon and Yasujirô Ozu, a Japanese director. He observed production trends, film techniques and the work of noted directors in the United States and Europe. He was first involved in film when he wrote the script of Gerardo de Leon Ang maestra (1941), which starred Rogelio de la RosaRosa Del Rosario and Sylvia La Torre. He joined Sampaguita Pictures, as scriptwriter of de Leon’s Isumpa mo giliw (1947), then directed exclusively for Sampaguita Pictures from 1947 to 1953. Among his early films are: Ang kamay ng Diyos (1947)Hindi kita malimot (1948)Selosa (1948)Apoy sa langit (1949)Abogada (1949); ‘Ang Asawa Kong Amerikana’ (1953), with Oscar MorenoJoan PageChichayBoy AlanoEddie Garcia and Bella Flores – this was the first Filipino movie to win an important award in an Asian Film Festival. During this period, Romero was also known as the director of the Pancho MagalonaTita Duran movies: Always kay ganda mo (1949); ‘Sa Piling Mo’ (1949); Kasintahan sa pangarap (1951)Ang ating pag-ibig (1953). Romero became a producer-director with the film Buhay alamang (1952), which he adapted from a stage play by Gerardo de Leon. Under Hemisphere Productions, he produced films for international release which he himself wrote and/or directed, foremost of which was ‘Day of the Trumpet’ (1957), which starred Hollywood actors John AgarRichard ArlenMyron Healey and Jennings Sturgeon, alongside Filipino actors Pancho MagalonaAlicia VergelCielito LegaspiVic Diaz and Max Alvarado. (This movie was released in the US as The Day of the Trumpet (1958).) Other English-language films Romero made were The Kidnappers (1958) (originally titled ‘Man on the Run’), with Hollywood stars Burgess Meredith’, William PhippsPaul HarberTheodore Bikel, costarring Filipino actors Olivia CenizalCarol VargaAmado CortezZaldy ZshornackJohnny MonteiroTerror Is a Man (1959), topbilled by Francis Lederer, with Greta ThyssenRichard Derr and Filipino actors Oscar KeeseePeyton KeeseeLilia Duran, and Flory CarlosEspionage: Far East (1961) with Tod AndrewsMila Del SolLeopoldo SalcedoDiane JergensManuel CondeShirley Gorospe and Joan TaborEscape to Paradise (1960), starring Bruce BaxterJoe DennisDiane JergensJennings Sturgeon with Filipino actors Rosie AcostaArsenio AlonzoJohnny MonteiroRenato RoblesLeopoldo SalcedoJoe SisonThe Passionate Strangers (1966), with Michael ParsonsValora NolandClaude Wilson, and Filipinos Mario MontenegroCelia RodriguezVic DiazButz Aquino and Cesar AguilarThe Raiders of Leyte Gulf (1962), with Leopoldo SalcedoMichael ParsonsEfren ReyesLiza MorenoEddie MesaOscar Keesee and Jennings SturgeonManila, Open City (1968), with Charito SolisRic RodrigoMario MontenegroJames ShigetaEddie GarciaVic DiazLauro DelgadoAlex NicolJohn AshleyNova VillaRosa Mia and Norma Blancaflor. Starting with Mad Doctor of Blood Island (1968), with John AshleyAngelique PettyjohnRonald RemyAlicia AlonzoTita MuñozAlfonso Carvajal and Johnny Long, a film closely resembling Island of Lost Souls (1932), Romero began a collaboration with Hollywood-based actors like John Ashley. This was followed by several other exotically-themed films, usually with Eddie Garcia, like Beast of the Yellow Night (1971), costarring John Ashley again and Leopoldo SalcedoMary Charlotte WilcoxVic Diaz and Ken MetcalfeBeast of Blood (1970) costarring ‘John Ashley (I) and Celeste YarnallThe Twilight People (1972), costarring Ashley again, Charles MacaulayPat WoodellPam Grier and Letty MirasolBlack Mama White Mama (1973), topbilled by Pam GrierMargaret MarkovLynn Borden, with Zaldy Zshornack and Alona AlegreThe Woman Hunt (1972) with John AshleyPat Woodell, Charlene Jones (I)’, Lisa ToddLaurie Rose and Lotis KeySavage Sisters (1974) with Gloria HendryCheri CaffaroRosanna Ortiz, John Ashley (I)’, Sid Haig, and Rita GomezSudden Death (1977), with Hollywood stars Robert Conrad and Don Stroud, costarring Felton PerryAngie Ferro and Ken Metcalfe’. In the mid-1970s Romero returned to the local scene with the now-famous This Is How We Were Before, How Are You Doing Now? (1976)Sinong kapiling? Sinong kasiping? (1977)Banta ng kahapon (1977)Durugin si Totoy Bato (1979)Aguila (1980)Kamakalawa (1981)Ang padrino (1984); and Hari sa hari, lahi sa lahi (1987). In 1992 he scripted and directed the 13-episode TV version of Jose Rizal’s Noli me tángere (1961) for the Cultural Center of the Philippines. He has made over 20 films for international distribution and over 35 Filipino movies for local distribution. Romero’s last directorial foray was Faces of Love (2007), starring Christopher De LeonAngel AquinoAlfred VargasJuliana PalermoBembol RocoChanda RomeroRicky DavaoMon Confiado and Rodel Velayo.

Romero has received a total of 22 awards; these include five Best Screenplay awards from the Filipino Academy of Movie Arts & Sciences (FAMAS), for Buhay alamang (1952)The Passionate Strangers (1966)Durugin si Totoy Bato (1979)Aguila (1980) and Ang padrino (1984), elevating him to the Hall of Fame. He was chosen FAMAS Best Director for The Passionate Strangers (1966) and Aguila (1980). FAMAS eventually awarded him to the FAMAS Hall of Fame in 1986, the FAMAS Lifetime Achievement Award in 1993, and the Presidential Award in 2000. In 1951 he won the Maria Clara Award for Best Director for Ang prinsesa at ang Pulubi (1950); the following year, yet another Best Director Award for Diego Silang (1951). Romero is a recipient of the Dr Ciriaco Santiago Memorial Award for Outstanding Achievement in the Movie Industry for ‘Day of the Trumpet’ (1957), the first coproduction with a foreign film company; this film was released in the US as The Day of the Trumpet (1958). At the Gawad Urian Awards, he won Best Direction and Best Screenplay for This Is How We Were Before, How Are You Doing Now? (1976), as well as the Dekada Award (Best Film of the Decade) for the said film, given in 1981; he garnered Urian nominations for Best Screenplay for Sinong kapiling? Sinong kasiping? (1977) and Best Screenplay and Best Direction for Banta ng kahapon (1977), and again for Best Screenplay and Best Direction for Aguila (1980). Gawad Urian gave him a Lifetime Achievement Award in 1995. He won the Festival Prize (Best Direction and Best Screenplay) for This Is How We Were Before, How Are You Doing Now? (1976), at the Metro Manila Film Festival. He received a Papal Award as Film Director of the Decade, 1971-1980, at the Catholic Mass Media Awards (CMMA). At the FAP Awards, he won nominations for Best Screenplay and Best Direction for Faces of Love (2007). He was also presented with the Lifetime Achievement Award by the Cinemanil International Film Festival in 2000. Romero passed away on May 28, 2013

  • causes cited were blood clot and prostate cancer. (He would have

turned 88 on July 7). Aside from film director Joey Romero, Romero had two children, with LVN movie queen Mila Del Sol: Ancel and Leo Romero, who have wives and live in the United States.

– IMDb Mini Biography By: Step Up Guy

Eddie Romero – IMDb