Jun 15, 2024 

Hero’s Journey (Joseph Campbell)

  • Ordinary World: The hero’s normal life before the adventure begins.
  • Call to Adventure: The hero is presented with a challenge or quest.
  • Refusal of the Call: The hero hesitates or declines the adventure.
  • Meeting the Mentor: The hero encounters a mentor who provides guidance.
  • Crossing the Threshold: The hero leaves the ordinary world and enters the special world.
  • Tests, Allies, Enemies: The hero faces challenges, makes friends, and confronts foes.
  • Approach to Inmost Cave: The hero approaches the central ordeal or crisis.
  • Ordeal, Death, and Rebirth: The hero faces a significant challenge, often involving a metaphorical death and rebirth.
  • Reward (Seizing the Sword): The hero gains a reward or accomplishes a goal.
  • The Road Back: The hero begins the journey back to the ordinary world.
  • Resurrection: The hero faces a final test, using everything learned on the journey.
  • Return with the Elixir: The hero returns home with newfound wisdom or a reward to help others.

The Virgin’s Promise (Kim Hudson)

  • Dependent World: The protagonist’s world where they conform to others’ expectations.
  • Price of Conformity: The cost the protagonist pays for fitting in.
  • Opportunity to Shine: The protagonist gets a chance to express their true self.
  • Dresses the Part: The protagonist begins to adopt their true identity.
  • Secret World: The protagonist creates a space where they can be their true self.
  • No Longer Fits In: The protagonist starts to outgrow their old world.
  • Caught Shining: The protagonist’s true self is discovered by others.
  • Gives Up What Kept Her Stuck: The protagonist lets go of constraints holding them back.
  • Kingdom in Chaos: The protagonist’s world is disrupted by their changes.
  • Wanders in the Wilderness: The protagonist faces a period of doubt and uncertainty.
  • Chooses Her Light: The protagonist fully embraces their true self.
  • Re-ordering of the Kingdom: The protagonist’s world adjusts to their new identity.
  • The Kingdom is Brighter: The protagonist’s true self brings positive change to their world.

Plot Structure (Larry Brooks)

  • Setup: Introduction of characters, setting, and initial conflict.
  • Hook: A compelling opening that grabs the audience’s attention.
  • Inciting Incident: An event that disrupts the protagonist’s normal life and sets the story in motion.
  • First Plot Point: A significant event that changes the protagonist’s direction and raises the stakes.
  • Response: The protagonist’s reaction to the first plot point, leading to further developments.
  • Pinch Point 1: A reminder of the story’s central conflict, increasing tension.
  • Midpoint: A major turning point that shifts the story’s direction and deepens the conflict.
  • Pinch Point 2: Another reminder of the central conflict, heightening stakes.
  • Second Plot Point: A crucial event that leads to the story’s climax.
  • Resolution: The final outcome and resolution of the story’s conflicts.

Three-Act Structure (Syd Field)

  • Setup: Introduction of characters, setting, and the story’s premise.
  • Inciting Incident: An event that disrupts the protagonist’s normal life and sets the story in motion.
  • First Turning Point: A significant event that changes the protagonist’s direction and raises the stakes.
  • Midpoint: A major turning point that shifts the story’s direction and deepens the conflict.
  • Second Turning Point: Another significant event that propels the story toward its climax.
  • Climax: The story’s peak moment of conflict and resolution.
  • Resolution: The final outcome and resolution of the story’s conflicts.

Blake Snyder Beat Sheet

  • Opening Image: The first visual that sets the tone and mood of the story.
  • Theme Stated: A statement or question that reveals the story’s theme.
  • Setup: Introduction of characters, setting, and the story’s premise.
  • Catalyst: An event that disrupts the protagonist’s normal life and sets the story in motion.
  • Debate: The protagonist faces a dilemma and must decide whether to take on the challenge.
  • Break into Two: The protagonist commits to the journey, entering a new world or state.
  • B Story: A subplot that runs parallel to the main story, often involving a relationship.
  • Fun and Games: The protagonist experiences the new world and faces various challenges.
  • Midpoint: A major turning point that shifts the story’s direction and deepens the conflict.
  • Bad Guys Close In: The protagonist faces increased opposition and higher stakes.
  • All is Lost: The protagonist hits rock bottom and faces their greatest challenge.
  • Break into Three: The protagonist finds a solution and prepares for the final battle.
  • Finale: The story’s peak moment of conflict and resolution.
  • Final Image: The last visual that reflects the story’s resolution and theme.

Seven-Point Structure (Dan Wells)

  • Hook: A compelling opening that grabs the audience’s attention.
  • Plot Turn 1: An event that disrupts the protagonist’s normal life and sets the story in motion.
  • Pinch Point 1: A reminder of the story’s central conflict, increasing tension.
  • Midpoint: A major turning point that shifts the story’s direction and deepens the conflict.
  • Pinch Point 2: Another reminder of the central conflict, heightening stakes.
  • Plot Turn 2: A crucial event that leads to the story’s climax.
  • Resolution: The final outcome and resolution of the story’s conflicts.

Freytag’s Pyramid (Gustav Freytag)

  • Exposition: Introduction of characters, setting, and the story’s premise.
  • Rising Action: A series of events that build tension and lead to the climax.
  • Climax: The story’s peak moment of conflict and resolution.
  • Falling Action: Events that occur after the climax, leading to the resolution.
  • Denouement: The final outcome and resolution of the story’s conflicts.

Kishōtenketsu

  • Introduction (Ki): Introduction of characters, setting, and the story’s premise.
  • Development (Sho): A series of events that build tension and lead to the twist.
  • Twist (Ten): A surprising turn of events that changes the story’s direction.
  • Conclusion (Ketsu): The final outcome and resolution of the story’s conflicts.

Four Act Structure (Randy Ingermanson)

  • Setup: Introduction of characters, setting, and the story’s premise.
  • Response: The protagonist’s reaction to the first plot point, leading to further developments.
  • Attack: The protagonist takes action to confront the central conflict.
  • Resolution: The final outcome and resolution of the story’s conflicts.

Lester Dent Formula

  • Introduction: Introduction of characters, setting, and the story’s premise.
  • Development: A series of events that build tension and lead to complications.
  • Complication: Further complications that heighten the stakes.
  • Further Complication: Even more complications that lead to the climax.
  • Denouement: The final outcome and resolution of the story’s conflicts.

Story Circle (Dan Harmon)

  • You: A character is in a zone of comfort.
  • Need: But they want something.
  • Go: Enter an unfamiliar situation.
  • Search: Adapt to it.
  • Find: Find what they wanted.
  • Take: Pay its price.
  • Return: And go back to where they started.
  • Change: Now capable of change.

Stasis-Trigger-The Quest-Surprise-Critical Choice-Climax-Reversal-Resolution (Seven Point Plot Structure)

  • Stasis: The protagonist’s normal life before the adventure begins.
  • Trigger: An event that disrupts the protagonist’s normal life and sets the story in motion.
  • The Quest: The protagonist’s journey to achieve a goal or solve a problem.
  • Surprise: Unexpected events or complications that change the story’s direction.
  • Critical Choice: The protagonist faces a significant decision that determines the story’s outcome.
  • Climax: The story’s peak moment of conflict and resolution.
  • Reversal: A turn of events that changes the protagonist’s situation.
  • Resolution: The final outcome and resolution of the story’s conflicts.

3-Act Structure (Aristotle)

  • Beginning: Introduction of characters, setting, and the story’s premise.
  • Middle: A series of events that build tension and lead to the climax.
  • End: The final outcome and resolution of the story’s conflicts.

5-Act Structure (Horace)

  • Protasis: Introduction of characters, setting, and the story’s premise.
  • Epitasis: A series of events that build tension and lead to the climax.
  • Catastrophe: The story’s peak moment of conflict and resolution.
  • Denouement: Events that occur after the climax, leading to the resolution.
  • Unraveling: The final outcome and resolution of the story’s conflicts.

3-Act Structure (Traditional)

  • Act 1: Introduction of characters, setting, and the story’s premise.
  • Act 2 (First Half): A series of events that build tension and lead to the midpoint.
  • Act 2 (Second Half): Further complications that heighten the stakes.
  • Act 3: The story’s peak moment of conflict and resolution.

Pixar Story Structure

  • Once upon a time: Introduction of characters, setting, and the story’s premise.
  • Every day: The protagonist’s normal life.
  • But one day: An event that disrupts the protagonist’s normal life and sets the story in motion.
  • Because of that: A series of events that build tension and lead to complications.
  • Until finally: The story’s peak moment of conflict and resolution.
  • And ever since then: The final outcome and resolution of the story’s conflicts.